Post by account_disabled on Dec 12, 2023 21:51:48 GMT -7
Nothing. I should end this post like this, but it's better to explain why a soap opera cannot help a writer, unlike a TV series . It is by understanding how a soap opera is structured, how long it lasts and how it proceeds that a writer can find elements to avoid in his stories. In the long run, credibility diminishes I've never seen Dallas , but I "got" Beaufitul . In my house since 1990 they started seeing that rubbish at lunch and since then I have eaten lunch at the speed of light, in 10-15 minutes, to escape as quickly as possible from those scenes that were heartbreaking for my brain. It was therefore 1990 when she arrived in Italy.
And now we are in 2013. 23 years. I don't think there's anything else to say. How can a story still be believable after 23 years? Can you really carry on – boring the viewer/reader – a story for all this time and Phone Number Data keep the quality high? The same goes for those comics that persist in continuing for hundreds of issues. The continuing misfortune of the protagonists Something always happens to the protagonists of soap operas. And that's good because, if nothing happened, there wouldn't be a story to tell. But when everything happens to the same people over and over again, then the laws of probability are completely rewritten. A writer cannot think of being so often and so continuously with a protagonist and believing that the reader will drink his story without raising objections.
Impossible situations It is normal for those in high places - those who are rich, therefore - to have "problems" different from us ordinary people, problems that make them meet particular people, even without scruples, and experience unusual situations. But how credible can a woman be who marries a man, then her father, then the man again, then her brother, then who knows who else, in the end I lost count. Impossible situations, never seen even among the most eccentric Hollywood stars. Endless, interconnected weddings are just one of the incredible situations that occur in a soap opera. A writer will have to carefully consider how to construct the past and present of his characters, so as not to offend the reader's intelligence.
And now we are in 2013. 23 years. I don't think there's anything else to say. How can a story still be believable after 23 years? Can you really carry on – boring the viewer/reader – a story for all this time and Phone Number Data keep the quality high? The same goes for those comics that persist in continuing for hundreds of issues. The continuing misfortune of the protagonists Something always happens to the protagonists of soap operas. And that's good because, if nothing happened, there wouldn't be a story to tell. But when everything happens to the same people over and over again, then the laws of probability are completely rewritten. A writer cannot think of being so often and so continuously with a protagonist and believing that the reader will drink his story without raising objections.
Impossible situations It is normal for those in high places - those who are rich, therefore - to have "problems" different from us ordinary people, problems that make them meet particular people, even without scruples, and experience unusual situations. But how credible can a woman be who marries a man, then her father, then the man again, then her brother, then who knows who else, in the end I lost count. Impossible situations, never seen even among the most eccentric Hollywood stars. Endless, interconnected weddings are just one of the incredible situations that occur in a soap opera. A writer will have to carefully consider how to construct the past and present of his characters, so as not to offend the reader's intelligence.